{"id":493,"date":"2024-05-30T23:51:54","date_gmt":"2024-05-30T23:51:54","guid":{"rendered":"https:\/\/2dheripro.ipb.ac.rs\/?page_id=493"},"modified":"2024-05-31T21:55:49","modified_gmt":"2024-05-31T21:55:49","slug":"bojana-savic","status":"publish","type":"page","link":"https:\/\/www.2dheripro.ipb.ac.rs\/index.php\/bojana-savic\/","title":{"rendered":"Bojana Savic"},"content":{"rendered":"<div id=\"pl-gb493-6a10a110eee82\"  class=\"panel-layout\" ><div id=\"pg-gb493-6a10a110eee82-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb493-6a10a110eee82-0-0\"  class=\"panel-grid-cell\"  data-weight=\"1\" ><div id=\"panel-gb493-6a10a110eee82-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;background_image_size&quot;:&quot;full&quot;,&quot;background_image_opacity&quot;:&quot;100&quot;,&quot;border_thickness&quot;:&quot;1px&quot;}\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><strong>Bojana Savi<\/strong><strong>\u0107<\/strong>, assistant professor<\/p>\n<p><strong>Contact e-mail<\/strong>: bojana.savic@fpu.bg.ac.rs<br \/>\n<strong>ORCID<\/strong>: 0009-0000-2873-6106<\/p>\n<p><strong>Research fields<\/strong>:<\/p>\n<p>Conservation and restoration of wall paintings and mosaics, Visual arts<\/p>\n<p><strong>Education<\/strong>:<\/p>\n<p>University of Arts Belgrade, Faculty of Applied Arts, graduated 2009, MA Painter-restorer. Currently at doctoral studies in field of Applied and Visual Arts, theme of art doctoral project: Christian Iconography between painting and film, Cycle of Great Holidays- twelve painting series, art exhibition.<\/p>\n<p><strong>National and International Conservation and Restoration projects<\/strong>:<\/p>\n<ol>\n<li>Conservation and restoration of wall painting on the ceiling of the \u201cPlava sala\u201d at National Museum Valjevo, 2023.<\/li>\n<li>Conservation and restoration of Lazar Vujaklija\u2019s wall painting at Children Cultural Centre, co-author and project leader with mr Radomir Samard\u017ei\u0107, Belgrade, 2023.<\/li>\n<li>Conservation and restoration of wall paintings at Church of Saint George, Novi Beograd, Serbia, project leader, 2022.<\/li>\n<li>Monastery Studenica, Serbia- Conservation and restoration of a wall painting fragment, project leader, 2021<\/li>\n<li>Jalovik Art Colony-Conservation and restoration of Jugoslav Er\u010devi\u0107 wall painting, project leader, 2019.<\/li>\n<li>Conservation and restoration of fresco wall paintings at Church of Saint Thomas, Petrovac na moru, Montenegro, project leader assistant, 2010. 2011. 2019.<\/li>\n<li>Conservation and restoration of wall paintings at Chapel of Saint Varnava, Patriarchy of Serbian Orthodox Church, Belgrade, team member, 2010.<\/li>\n<li>Conservation and restoration of wall paintings at Church of Mother of God Zahumska, Ohrid, Macedonia, team member, 2010.<\/li>\n<\/ol>\n<p><strong>Exhibitions<\/strong><strong>: <\/strong><\/p>\n<p><em>Memento mori<\/em>, Ostavinska galerija, Beograd, 2021. solo exhibition; <em>Revolucija duha<\/em>, Ku\u0107a Kralja Petra, \u00a0Beograd, 2022. solo exibition; <em>Dijalog monologa<\/em>, Galerija Divart, Beograd, 2022. Exhibited at twelve group exhibitions.<\/p>\n<p><strong>Selected publications and presentations<\/strong>:<\/p>\n<ol>\n<li>Savi\u0107, R. Samard\u017ei\u0107, <em>Dilemmas and decision-making during conservation and restoration of wall painting fragments from church of St Nicholas in Pale\u017e, Serbia, <\/em>Book of Abstracts: International Conference \u2013 Bridging the gap-synergies between conservation and art history, National Museum Oslo, Norway, 2023, Proceedings (in print)<\/li>\n<li>B. Savi\u0107, <em>\u041b\u0438\u043a\u043e\u0432\u043d\u0430 \u043a\u043e\u043b\u043e\u043d\u0438\u0458\u0430 \u0443 \u0441\u0435\u043b\u0443 \u0408\u0430\u043b\u043e\u0432\u0438\u043a \u2013 \u0438\u0441\u0442\u043e\u0440\u0438\u0458\u0430\u0442 \u0438 \u0440\u0430\u0437\u0432\u043e\u0458<\/em><em>, <\/em>Triptih, \u0412\u043e\u043b. 2, \u0431\u0440. 1, 2022, \u0441\u0442\u0440. 95-104. <a href=\"https:\/\/www.art.pr.ac.rs\/index.php\/2022\/11\/17\/triptih\/\">https:\/\/www.art.pr.ac.rs\/index.php\/2022\/11\/17\/triptih\/<\/a><\/li>\n<li>Savi\u0107<em>, Metode uklanjanja petrificiranih soli sa \u017eivopisa crkve Svetog Tome u \u017dukovici kod Petrovca na moru, Crna Gora<\/em>, Zbornik radova Kolonije konzervatora i muzejskih radnika Sirogojno, 2019.<\/li>\n<\/ol>\n<p><strong>Additional information<\/strong>:<\/p>\n<p>Member of ULUPUDS, singer at Akademsko peva\u010dko dru\u0161tvo VT\u0160 Novi Beograd<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n<div id=\"pl-gb493-6a10a110efc28\"  class=\"panel-layout\" ><div id=\"pg-gb493-6a10a110efc28-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb493-6a10a110efc28-0-0\"  class=\"panel-grid-cell\"  data-weight=\"1\" ><div id=\"panel-gb493-6a10a110efc28-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;background_image_size&quot;:&quot;full&quot;,&quot;background_image_opacity&quot;:&quot;100&quot;,&quot;border_thickness&quot;:&quot;1px&quot;}\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-130 aligncenter\" src=\"https:\/\/2dheripro.ipb.ac.rs\/wp-content\/uploads\/2024\/02\/ScienceFund.png\" alt=\"\" width=\"271\" height=\"87\" \/><br \/>\n<strong><\/p>\n<p style=\"text-align: center;\">This research was suported by the Science Fund of the Republic of Serbia under the grant number 7456.<\/p>\n<p><\/strong><\/p>\n<p style=\"text-align: center;\">The content of the website is the sole responsibility of its authors and does not reflect the opinion of the Science Fund of the Republic of Serbia.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Bojana Savi\u0107, assistant professor Contact e-mail: bojana.savic@fpu.bg.ac.rs ORCID: 0009-0000-2873-6106 Research fields: Conservation and restoration of wall paintings and mosaics, Visual arts Education: University of Arts Belgrade, Faculty of Applied Arts, graduated 2009, MA Painter-restorer. Currently at doctoral studies in field of Applied and Visual Arts, theme of art doctoral project: Christian Iconography between painting and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-493","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/www.2dheripro.ipb.ac.rs\/index.php\/wp-json\/wp\/v2\/pages\/493","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.2dheripro.ipb.ac.rs\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.2dheripro.ipb.ac.rs\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.2dheripro.ipb.ac.rs\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.2dheripro.ipb.ac.rs\/index.php\/wp-json\/wp\/v2\/comments?post=493"}],"version-history":[{"count":5,"href":"https:\/\/www.2dheripro.ipb.ac.rs\/index.php\/wp-json\/wp\/v2\/pages\/493\/revisions"}],"predecessor-version":[{"id":543,"href":"https:\/\/www.2dheripro.ipb.ac.rs\/index.php\/wp-json\/wp\/v2\/pages\/493\/revisions\/543"}],"wp:attachment":[{"href":"https:\/\/www.2dheripro.ipb.ac.rs\/index.php\/wp-json\/wp\/v2\/media?parent=493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}